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In The Lobster the theme of “love is blind” is taken to whole new level. However, as much as The Lobster is about love, at the same time it isn’t. Although hilarious in every moment, the overall message of the film can be interpreted as quite cynical.

Chased by violent debt collectors, Borealis is a father-daughter road trip that brings humour without any of the traditional conventions of a typical road trip comedy.

Less generic than its logline makes it sound, Louder Than Bombs — the English-language debut of Norwegian filmmaker Joachim Trier — attempts to inject interest into a rather banal story of familial grief.

Above all, it is Dheepan’s timeliness in today’s context that makes it such an affecting film.

“Nardwuar’s Video Vault” was an event showcasing video clips from Nardwuar’s prolific career in interviewing musicians and politicians, as well as Nardwuar himself speaking about his career.

At its core, The Assassin is concerned with struggle for transcendence, a theme encapsulated by a stunning durational shot of fog slowly rolling up a mountain, obscuring everything but the clifftop.

If your idea of Debate Society is a room full of aggressive argumentative people shouting at each other, you couldn’t be more wrong. The Debate Society instructs and mentors students on how to be better speakers as well as cultivates their quick-thinking logic skills.

Week one of the Vancouver International Film Festival has begun strongly, with red carpet events, award-winning films and great movies.

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