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With little to no conflict, there is a lack of emotional investment as the audience continues to wonder where exactly this story is going. The touching family moments are then lost in meandering and seemingly directionless plot.

Based on the best-selling novel written by Irish-Canadian author Emma Donoghue (also the film’s screenwriter), Room is a faithful adaption that fans of the book and others new to the material will adore.

Whether or not the writers of London Road are aware, the residents of Ipswich casually declare their detestation for the prostitutes and hold them responsible for the murders in their neighbourhood.

Park believes motivation that drives inspiration, and as such her work draws on personal experiences as well as historical events for inspiration, steadily and poignantly depicting the capacity for women to be resilient in times of hardships and dramatic changes in life.

Films like The Devil Wears Prada and the price of high-fashion clothes may act as a deterrat to some, but the industry isn’t as intimidating and inaccessible as it may seem. Fashion is actually very easy to understand, all you need is to know are the current trends and how you can make them work.

Patterson’s Wager is about Charles, an average insurance adjuster with a sudden ability to see two minutes into the future, created the relatable, intelligent, and artistically-satisfying project that attracted much of his cast and crew.

Exhilarating. Terrifying. Intoxicating. From its hypnotic nightclub opening scene to its emotionally stirring conclusion, it’s impossible to look away from German director Sebastian Schipper’s Victoria.

Set in Weerasethakul’s home town of Khon Kaen, the film follows Jenjira (Jenjira Pongpas) as she volunteers at a school-turned-temporary clinic for soldiers suffering from a strange form of sleeping sickness.

Endless cocktails, cigarettes, white shag-carpets, sideburns, orgies, subtly referenced cannibalism and eerie Abba covers are all parts in the kaleidoscope of debauchery and madness that is High-Rise, directed by Ben Wheatley.

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