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On February 8, The Orpheum in Vancouver served as a venue for a new twist on a classic — an entwining of Rupert Julian's 1925 silent film, The Phantom of the Opera, and Vancouver Bach Choir's orchestra ensemble.

The midlife crisis has never been delivered with more humour and lively music than in the Gateway Theatre production of Closer Than Ever. It will affect audience members of all ages, either serving as relatable or cautionary experience.

“Velocity Meadows” is similar, but a little more experimental as it utilized a digital sound mixer and was complemented by footage of abstract images. The end result of that was an experience that had a tinge of Radiohead in it.

And although watching The Hobbit or Harry Potter may not feel like a particularly stimulating activity, he says that people may in fact work harder when watching a fantasy movie to develop a sophisticated interpretation.

Axis Theatre has recently begun their Wee Ones Series — plays intended for an audience ages 3-7. Shelby Bushell says that there was no quality market for very young children and Axis wanted to step in and fill this gap.

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