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This ongoing conversation about home and belonging — one shared by many Asians and Asian-Canadians across the UBC community — has been encapsulated in Motherlands, a podcast series for CiTR’s special programming during Asian Heritage Month.

Art is defining student activist movements in a world that’s increasingly moving to social media. The visual side of activism has evolved to encompass new forms with students embracing performance and Lennon walls — but despite the shift online, one medium remains especially striking: the protest sign.

The signs — a piece called “WUNISKA,” meaning “arise” — are just one part of the Hatch Gallery’s latest exhibition, Together: Communities of Healing. The exhibition was made in collaboration with the Sexual Assault Support Center (SASC). Together is the second collaboration between the Hatch and the SASC, following last March’s Healing Fires.

The Board of Governors is the highest governing body at UBC, and among all the questions about platforms and consultation and other words I don’t understand, I felt it was necessary to ask some other hard-hitting questions the newsies wouldn’t think to ask.

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