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“I think we’re at the point where you go from it being a connecting tool to it being an isolating thing,” said Khan. “We don’t really relate to each other as much because we’re not looking at each other’s realities.”

Featuring seven Taiwanese artists and working in a variety of mediums from puppetry and sculpture to video and installation, the (In)Visible exhibit offers a unique experience of eccentricity and ingenuity, spirituality and magic, the divine and the unexplainable, the contemporary and modern through the craftsmanship and culture of Taiwan.

This narrative forms the basis of playwright and actress Trish Cooper’s play, Social Studies. The script was inspired by Cooper’s own experience, when her mother adopted a Sudanese “Lost Boy”. The play follows a family in Winnipeg, who adopt a Sudanese refugee, as they navigate their cultural differences.

Where’d the time go? With the holidays and end of term approaching, it’s time for a good old fashioned get together with all your friends whom you can’t bear the thought of parting with for winter break. And what's better than a potluck when you all want to gather over some food?

The play’s well-written banter between all characters is noteworthy. It makes the chemistry and emotional ties between all characters feel legitimate and are made better by the aforementioned acting. In other words, it has plenty of lighthearted personality to keep you engaged. This is also important because these are the play’s only saving grace.

That idea of the essence of life is something fundamentally important to Beckett’s pieces. Writing in the wake of World War II, his absurdist theatre is some of the most influential in the world. Comparing him to Shakespeare, Vanderwoude explains the story of Beckett 15.

Well, Bugs Bunny, Daffy Duck, Porky the Pig, Pepe Le Pew, Elmer Fudd, the Roadrunner and Wile E. Coyote on the television screen every weekend has been the highlight of many a child's weekend since the beginning of Warner Brothers Incorporated.

The project, in its first year, invites those affected by mental illness to share their experiences through visual art and has organized two workshops with complimentary art supplies for participants. The collection will be displayed at a reception at the Mount Pleasant Neighbourhood House for anyone to enjoy.

Throughout the show, however, one person remains standing, treading in a sea of string, brass, woodwind, and percussion. This individual moves in time with the composition but her dance is different. It hasn’t been choreographed in order to flow in tandem with the music. It is the music.

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