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1904 RESULTS

IGNITE! Youth Panel invites young Vancouverites to join their meetings. Located in the Cultch, the motivated youth gather weekly to share their ideas and get a hands-on opportunity to produce the next annual IGNITE! Youth Arts Festival in May 2016.

“Yoga at UBC where there is a huge community — there is also a lack of community,” Chan said. “So I’ve started to encourage teachers to talk more to members after class and create that sense of community.”

By all accounts, the celebration was a success, filling the Nest with around 120 people and providing an insightful example of Jewish celebration and traditions for all who wished to attend. The event was free and catered with potato-pancakes, apple sauce and donuts from Garden City Bakery — all of which were delicious.

The good news? This anthology takes a step toward satisfying that hunger. Its contributors — many being UBC alumnae such as Sonnet L’Abbé, Miranda Pearson and Renée Sarojini Saklikar — explore the disconnection we all experience in an urban environment from a variety of perspectives.

Just like you would love to drink a thirst-fulfilling pale ale on a hot summer day, a more lingering and thick stout is more likely to satisfy your desires during winter. Most winter beers tend to be darker in colour as the brewers use darker malts in the beer making process and increased yeast to elevate the sweetness.

For Shindig, she’s performing solo, excited to try out a simple set with a “focus on becoming an engaging performer.” Her unbound curiosity remains a big factor in her songwriting, making her a potential game changer.

When asked for a description of ATSEA, Omar Prazhari, third-year Arts student and creator of the band, quickly responded with, “Five sad boys making happy music.”

This was in response to the MFA directors being restricted in choosing two females and two males for their shows on the main stage, thereby excluding the rest of the students. What’s unique about this production is that the female acting students of the program will perform all of the characters in Yee’s play.

The lead vocals deserve the highest of praise for perfectly performed renditions. Scott Brooks (bass-baritone) and Matthew Gaskin (tenor) projected deep and rich notes that could be felt as much as heard. Charlotte Beglinger (mezzo) and Nicole Brooks (soprano) struck every one of the very high notes with pin-pointed accuracy and skill. It was also a nice touch that the screen above was showing english translations of the lyrics.

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