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An illustration of colourful scribbles surrounding a black silhouette in the centre.

I wanted desperately to fall into myself like girls in romantic comedies are allowed to, let my hair grow greasy and spoon Ben and Jerry’s into my mouth, openly sob to Norah Jones in the living room. But, most real life women don’t have the time to fall apart completely and cinematically.

What happens when a filmmaker’s goal is to chronicle something specifically due to its absence from their personal experience? How do you capture something you haven’t lived (or remember having lived) first-hand?

Anita stands on a podium with a medal around her neck behind a grey backdrop.

By the time Nambuuza moved to Burnaby from Uganda at 16, she had already developed her skills in teaching coding to kids — her passion for computers was ignited at an early age and she said her mother encouraged her to turn this passion into an advocating force bigger than herself.

Rebecca Todd looking down and sitting next to some tools in front of a barn holding a yellow mug and wearing a straw sunhat, navy sweater and jeans.

As writing had “always come fairly easy” to her, Todd began working as an arts and dance journalist. But she wasn’t done there. Through her reading, writing, choreography, dance and marriage to a cognitive scientist, she began thinking more intently about “how the mind works in action,” as she put it.

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